DAG Winter Workshop:
SENSATION & DESIGN: DANCE MAKING FOR PERFORMANCE
December 10-12, 2010
Friday 3-6pm / Saturday & Sunday 11am-4pm
Century Ballroom's East Hall, 915 E Pine St, 2nd Floor, Seattle
Sliding scale $160–180 if paid in full by 11/15/10. After 11/15/10, $185–205 if space is available.
Info/registration at Dance Art Group
Using tools from Tuning Scores and improvisation to investigate "performance," we will create a check list of concerns and desires for experimentation. Tuning Scores, as introduced by Lisa Nelson, illuminate our individual perceptual experience, and use actions and verbal calls to communicate to others and the environment during the improvisation. Sessions will begin with training in sensational awareness and build towards compositional ensemble work. The final session will culminate with an "in-progress" public showing, including a follow-up feedback process for audience and performers.
Karen Nelson's 33-year dance and performance practice has been directly influenced by Steve Paxton and Lisa Nelson and their respective work in Contact Improvisation, Material for the Spine and Tuning Scores, and through collaboration with many others in venues around the world. She co-founded Joint Forces Dance Co, Breitenbush Jam, Dance Ability, Diverse Dance Research Retreat, and the performance group Image Lab among other projects. Image Lab, including Scott Smith, K.J. Holmes, Lisa Nelson and Karen, intensively developed Tuning Scores for nearly a decade in the 1990s. They performed "observatories" in the US, Europe and Asia, spawning other Tuning projects that continue to this day.